The Japan Times - Games music composer with ambition to define an artform

EUR -
AED 4.29132
AFN 74.203609
ALL 95.805414
AMD 433.4011
ANG 2.091481
AOA 1072.683853
ARS 1638.188454
AUD 1.635513
AWG 2.106222
AZN 1.985616
BAM 1.953101
BBD 2.353774
BDT 143.421198
BGN 1.949178
BHD 0.440993
BIF 3476.288379
BMD 1.1685
BND 1.49084
BOB 8.105799
BRL 5.801133
BSD 1.16865
BTN 111.08949
BWP 15.864078
BYN 3.305632
BYR 22902.60579
BZD 2.350851
CAD 1.591894
CDF 2706.246758
CHF 0.916396
CLF 0.027083
CLP 1065.929196
CNY 7.981149
CNH 7.986584
COP 4356.694927
CRC 531.363456
CUC 1.1685
CUP 30.965258
CVE 110.598731
CZK 24.400589
DJF 207.665735
DKK 7.472548
DOP 69.678194
DZD 154.723383
EGP 62.546481
ERN 17.527504
ETB 183.542149
FJD 2.573271
FKP 0.860275
GBP 0.863931
GEL 3.137447
GGP 0.860275
GHS 13.081357
GIP 0.860275
GMD 85.886397
GNF 10256.527946
GTQ 8.931861
GYD 244.512118
HKD 9.155872
HNL 31.117461
HRK 7.535193
HTG 152.947888
HUF 364.799928
IDR 20373.386901
ILS 3.452103
IMP 0.860275
INR 111.408203
IQD 1530.735387
IRR 1536577.888516
ISK 143.398483
JEP 0.860275
JMD 184.115578
JOD 0.828489
JPY 183.758944
KES 150.972215
KGS 102.150883
KHR 4688.022868
KMF 491.349122
KPW 1051.650263
KRW 1724.431853
KWD 0.360026
KYD 0.974054
KZT 542.160809
LAK 25663.184483
LBP 104465.362619
LKR 373.460733
LRD 214.565871
LSL 19.666146
LTL 3.450278
LVL 0.706815
LYD 7.402479
MAD 10.80515
MDL 20.122194
MGA 4855.118969
MKD 61.663486
MMK 2453.558203
MNT 4179.346411
MOP 9.430668
MRU 46.681467
MUR 54.860921
MVR 18.059139
MWK 2034.93947
MXN 20.461022
MYR 4.633061
MZN 74.679165
NAD 19.665886
NGN 1601.931692
NIO 42.907309
NOK 10.841901
NPR 177.741105
NZD 1.989903
OMR 0.449285
PAB 1.168885
PEN 4.096709
PGK 5.062529
PHP 72.106988
PKR 325.719728
PLN 4.256204
PYG 7265.959457
QAR 4.256826
RON 5.190447
RSD 117.422683
RUB 87.636497
RWF 1706.594681
SAR 4.384441
SBD 9.378229
SCR 15.60968
SDG 701.689458
SEK 10.869375
SGD 1.492529
SHP 0.872403
SLE 28.803202
SLL 24502.862465
SOS 667.79835
SRD 43.767328
STD 24185.596923
STN 24.713781
SVC 10.227823
SYP 129.148477
SZL 19.665661
THB 38.292338
TJS 10.940881
TMT 4.095594
TND 3.371707
TOP 2.813468
TRY 52.838293
TTD 7.939029
TWD 36.968998
TZS 3049.786129
UAH 51.502231
UGX 4386.05699
USD 1.1685
UYU 47.074949
UZS 14019.666522
VES 571.329748
VND 30758.433277
VUV 138.793042
WST 3.172698
XAF 655.05181
XAG 0.015991
XAU 0.000257
XCD 3.157931
XCG 2.106689
XDR 0.812844
XOF 652.608671
XPF 119.331742
YER 278.833394
ZAR 19.63285
ZMK 10517.907557
ZMW 21.887754
ZWL 376.256618
  • RIO

    -1.9500

    98.63

    -1.98%

  • CMSC

    -0.0100

    22.87

    -0.04%

  • BCE

    -0.0300

    23.93

    -0.13%

  • NGG

    -0.9800

    87.5

    -1.12%

  • RBGPF

    1.6000

    64.7

    +2.47%

  • BTI

    -0.3600

    58.35

    -0.62%

  • BCC

    -3.8000

    74.33

    -5.11%

  • CMSD

    -0.0300

    23.25

    -0.13%

  • JRI

    -0.0500

    12.93

    -0.39%

  • RYCEF

    -0.0200

    16.33

    -0.12%

  • GSK

    -0.7100

    50.9

    -1.39%

  • RELX

    0.0100

    36.36

    +0.03%

  • AZN

    -1.2800

    183.46

    -0.7%

  • VOD

    -0.1000

    16.05

    -0.62%

  • BP

    0.5300

    46.94

    +1.13%

Games music composer with ambition to define an artform
Games music composer with ambition to define an artform / Photo: Thibaud MORITZ - AFP/File

Games music composer with ambition to define an artform

Far from the bleep-driven video game soundtracks of yesteryear, French composer Olivier Deriviere is determined to help craft the audio sensation of a medium he believes is still finding a voice of its own.

Text size:

Deriviere's twin passions for music and gaming have driven a career creating music for massive-selling games including Ubisoft's "Assassin's Creed", sometimes managing projects equal in scope to a film soundtrack.

"I think we need to get away from the reflex that we need to look at our 'big brother' cinema and say that we're going to do the same thing," Deriviere told AFP.

"If you compare what video games offer in artistic terms, it's vast compared to the cinema or theatre," he adds.

Deriviere's personal journey with games began very early in life.

"I've never left the house without a console since I was six years old," the 46-year-old says.

That passion has borne him up to creating music for one instalment in the massively popular "Assassin's Creed" series, or million-selling "A Plague Tale: Innocence", released by Asobo in 2019.

But his current project, "South of Midnight" by Canadian developer Compulsion Games is "my biggest creation yet," Deriviere says.

The tracks he plays back borrow their sound from the American South setting of the adventure game, set for release on April 8.

More than 100 recording sessions have gone into the work, split between Nashville in the US, London's legendary Abbey Road studios and the composer's own workspace in the Paris suburbs.

- 'Set off a revolution' -

Deriviere enjoyed "a musical childhood" growing up in Nice with his businessman father and choir-leader mother.

"When I was five years old, I was getting into U2 and Pink Floyd thanks to my dad, while my friends were listening to French songs," he remembered.

It was at the same time that he was first exposed to video games.

"The day someone first showed me a Commodore 64 moving a pixel around, it set off a revolution in my brain," Deriviere said.

He went as far as learning to code so that he could write music on the machine.

Deriviere struggled to find his niche, making false starts into several music and computing courses before securing a scholarship to the Berklee College of Music across the Atlantic in Boston.

A regular at the city's Symphonic Orchestra, he struck up a friendship with John Williams, writer of soundtracks to many Steven Spielberg movies and the "Star Wars" saga.

Deriviere says that the film legend became an "example" for him, teaching him to be patient.

Back in France, his first work on a game came with 2004's "Obscure", developed by a small studio.

Since then, he has worked on around 20 releases including the mega-blockbuster "Assassin's Creed" series.

"I got started in a tiny little room. A computer, two speakers and that was it," he remembered with a smile.

Now in demand from international developers, he employs six people in his 300-square-metre (3,200 square feet) studio).

- No substitute -

Percussion fan Deriviere clutches a pair of drumsticks as he wanders from the recording booths to the editing suites to keep up with multiple projects, some of which are still under wraps.

But in his spare minutes, he allows himself a few rounds of tennis game "Top Spin" in a room stuffed with consoles going back decades.

"I've always played, I've never stopped," the composer says.

For Deriviere, creating a piece of music has two stages: first writing a score, but then integrating it into the game to reflect the player's input.

The second task would normally be tackled by a game's music designer, rather than the composer.

But "I do both", Deriviere said. "Since I play video games, I understand this language and that's an advantage."

In "South of Midnight", Deriviere is attentive to the actions of protagonist Hazel, accompanied by a choir of girls' voices, as well as developing the tracks connected with the vast creatures that inhabit the game's universe.

He isn't a one-trick pony, having composed the music for 2023 horror movie "The Deep Dark" and for an episode of TV series "Star Wars: Visions", in another tie back to mentor Williams.

But linear film-making can't keep him away from the "unique experience" of games for long.

"It's up to us to bring new experiences to players," Deriviere said.

M.Matsumoto--JT