The Japan Times - 'Naive optimist' opens Berlin Film Festival with Afghan romantic comedy

EUR -
AED 4.073403
AFN 72.095399
ALL 90.759823
AMD 405.022533
ANG 1.985165
AOA 1018.212205
ARS 1713.072879
AUD 1.624435
AWG 1.996495
AZN 1.898524
BAM 1.954767
BBD 2.2584
BDT 139.786147
BGN 1.938631
BHD 0.423017
BIF 3354.345358
BMD 1.109164
BND 1.433478
BOB 13.298473
BRL 6.196565
BSD 1.121304
BTN 105.378826
BWP 15.38319
BYN 3.357329
BYR 21739.61442
BZD 2.255112
CAD 1.580631
CDF 2567.715032
CHF 0.922885
CLF 0.027772
CLP 1092.836776
CNY 7.398512
CNH 7.395506
COP 3649.26048
CRC 507.180057
CUC 1.109164
CUP 26.908783
CVE 110.216707
CZK 24.367945
DJF 199.67161
DKK 7.475344
DOP 68.010507
DZD 151.746852
EGP 59.275052
ERN 16.63746
ETB 182.503456
FJD 2.517469
FKP 0.835235
GBP 0.835849
GEL 2.882288
GGP 0.835235
GHS 13.130543
GIP 0.835235
GMD 82.077594
GNF 9933.692165
GTQ 8.568246
GYD 234.962343
HKD 8.700887
HNL 30.140929
HRK 7.507942
HTG 146.976262
HUF 364.370338
IDR 20243.185808
ILS 3.529083
IMP 0.835235
INR 104.263527
IQD 1699.702005
IRR 2114149.772786
ISK 136.61538
JEP 0.835235
JMD 177.962023
JOD 0.786376
JPY 177.040357
KES 144.180384
KGS 96.995174
KHR 4573.01687
KMF 490.250259
KPW 998.247558
KRW 1478.005179
KWD 0.345205
KYD 0.934306
KZT 500.565539
LAK 25239.282309
LBP 100411.502998
LKR 372.648398
LRD 190.616478
LSL 18.382894
LTL 3.275073
LVL 0.670922
LYD 7.187818
MAD 10.938154
MDL 20.149444
MGA 5073.753977
MKD 61.531076
MMK 2328.938724
MNT 3998.429475
MOP 9.059114
MRU 45.233384
MUR 52.529757
MVR 17.078874
MWK 1944.33929
MXN 20.678179
MYR 4.524948
MZN 70.873386
NAD 18.380989
NGN 1494.221886
NIO 41.262106
NOK 10.592306
NPR 168.606882
NZD 1.99355
OMR 0.42647
PAB 1.121334
PEN 3.821081
PGK 5.035816
PHP 70.64818
PKR 307.875111
PLN 4.403348
PYG 6921.935833
QAR 4.087409
RON 5.345841
RSD 117.603542
RUB 91.976549
RWF 1658.973093
SAR 4.184003
SBD 8.973966
SCR 15.362917
SDG 667.210175
SEK 11.047468
SGD 1.425442
SHP 0.831115
SLE 25.403889
SLL 23258.619397
SOS 640.819214
SRD 41.755618
STD 22957.455427
STN 24.48938
SVC 9.810817
SYP 14421.349991
SZL 18.38786
THB 37.467293
TJS 10.304685
TMT 3.882074
TND 3.341836
TOP 2.6706
TRY 55.743917
TTD 7.603983
TWD 36.562591
TZS 2948.482865
UAH 50.999624
UGX 4575.098464
USD 1.109164
UYU 45.37012
UZS 13425.906759
VES 998.791644
VND 28482.776964
VUV 133.037413
WST 3.092126
XAF 655.957
XAG 0.021754
XAU 0.000281061796
XCD 2.997571
XCG 2.020632
XDR 0.784236
XOF 655.957
XPF 119.331742
YER 262.318412
ZAR 18.476376
ZMK 9983.800502
ZMW 22.84599
ZWL 357.150356
SSP 6418.203573
MXV 2.322786
  • RYCEF

    0.1000

    19.81

    +0.5%

  • VOD

    -0.2500

    16.33

    -1.53%

  • CMSC

    -0.2800

    20.12

    -1.39%

  • RBGPF

    -2.0000

    65

    -3.08%

  • RIO

    -0.2500

    94.16

    -0.27%

  • BTI

    -1.2000

    54.85

    -2.19%

  • NGG

    -0.3000

    74.94

    -0.4%

  • GSK

    -0.3500

    49.35

    -0.71%

  • BCE

    -0.4200

    20.14

    -2.09%

  • CMSD

    -0.3400

    19.93

    -1.71%

  • BP

    -0.9100

    43.52

    -2.09%

  • RELX

    0.1700

    33.24

    +0.51%

  • BCC

    -0.6200

    75.97

    -0.82%

  • AZN

    -1.9400

    164.21

    -1.18%

  • JRI

    0.0000

    10.77

    0%

'Naive optimist' opens Berlin Film Festival with Afghan romantic comedy
'Naive optimist' opens Berlin Film Festival with Afghan romantic comedy / Photo: RALF HIRSCHBERGER - AFP

'Naive optimist' opens Berlin Film Festival with Afghan romantic comedy

Are there any good men in Afghanistan? The opening film at this year's Berlin Film Festival poses the question against the backdrop of the Taliban authorities returning to power.

Text size:

Naru, the protagonist of "No Good Men" -- played by director Shahrbanoo Sadat -- rethinks her jaded views on the opposite sex as a result of a burgeoning friendship with a male co-worker.

For Sadat, being chosen to open this year's festival was an exciting chance to spotlight a story about Afghanistan told by Afghans themselves.

"For a very, very long time Afghan stories have been told by international filmmakers and therefore (there has) been always a kind of misrepresentation," she told AFP.

"We are trying to figure out... what does it mean to make an Afghan protagonist?"

The film vividly depicts Naru navigating the chaos of the withdrawal of US-led forces in 2021 and the crush at Kabul airport swarmed by desperate Afghans trying to flee their country.

Those scenes drew directly on Sadat's own experience of having to flee when Taliban fighters reached the capital.

"I was at the airport with my family for 72 hours when things started," said Sadat, who now lives in Hamburg.

"When we wanted to do this airport scene, because I was there, it was one of the most difficult scenes," she recalled.

- Phallic cactus -

The film doesn't only dwell on the violence and upheaval that Afghans have gone through in recent decades.

The effervescent Sadat, who was born in Iran and spent her childhood in Tehran before moving to Afghanistan with her parents, describes herself as a "naive optimist" in many ways and her lightness of touch is visible throughout "No Good Men".

A suspiciously phallic cactus at the end of the closing credits is typical of the spiky humour that Sadat uses to skewer patriarchal attitudes, not to mention the sex toy Naru gets from a colleague to celebrate her separation from her philandering husband.

The film portrays the space that Afghan women were carving out for themselves before 2021, both personally and professionally.

It has an element of idealism in its portrayal of Afghan journalists and is dedicated to seven members of staff from the popular Tolo TV station killed in a 2016 attack orchestrated by Taliban fighters.

However, Sadat said she also felt the need to push back against a tendency to "romanticise the era of democracy".

"I do not deny that the Taliban are the biggest problem of Afghanistan today, but on the other hand... nothing was flowers and roses in the era of democracy," she said, citing the widespread corruption that plagued the country in that era.

- Expecting Afghans to watch -

Given the difficulty of filming in Afghanistan, the film was shot in several locations in northern Germany, interspersed with archive footage from Kabul.

In her acknowledgements Sadat thanks Germany's Afghan community and says that in some senses it was her "good luck" to work in a country with "one of the biggest Afghan communities" in the diaspora.

Sadat was hands-on in the casting process, trawling through lists of the mosques, cafes and restaurants frequented by the more than 460,000 Afghans in Germany.

She got "thousands of requests" from Afghans across the country to participate in the film, with those who did take part eventually forming a "little film community", some of whom will be coming to Thursday's premiere.

The return of a Taliban government in 2021 brought with it tight restrictions on films, music and other entertainment under their strict interpretation of Islamic law.

So is there any hope for the film reaching an audience inside Afghanistan?

"Probably... they're going to watch the film before the film comes in cinemas" elsewhere, Sadat said, explaining that she expects internet pirates to get their hands on it.

"It always happened to my previous films that they... either end up on YouTube or it's going to be chopped and will be on TikTok."

Sadat says that try as the Taliban authorities might, they can't keep out the modern age where "everyone has... a phone and everyone is connected to internet".

"Even if they (Afghans) don't experience the film in a cinematic way, on a big screen... they're going to watch the film."

And as for whether Sadat thinks there are any good men?

"I do believe there are good men, but I also believe that we need more good men in the world, but also in Afghanistan," she told reporters at a press conference.

K.Yoshida--JT