The Japan Times - Renowned Egyptian novelist Sonallah Ibrahim dies at 88

Ibrahim "passed away today, leaving behind an immortal literary and humanitarian legacy," Culture Minister Ahmed Fouad Hanno said in a tribute, calling the writer a "pillar of modern Arabic literature".

Born in Cairo in 1937, Ibrahim was famed around the Arab world as a chronicler of social injustice, known for his sparse, documentary-style prose and his fierce independence.

His writings -- which blurred the line between the personal and the political -- captured the struggles of the Arab world in the postcolonial era, particularly those of his native Egypt.

Arguably his most famous novel, "Zaat" (1992), tells the story of Egypt's modern history -- from the overthrow of the monarchy in 1952 to the neoliberalism of the 1990s under president Hosni Mubarak -- through the eyes of an ordinary, middle-class woman.

It was adapted into a prime-time television series in 2013, bringing Ibrahim's scathing portrayal of power to a new generation of Egyptians in the aftermath of the Arab Spring uprising that ousted Mubarak.

A dissident through and through, Ibrahim was first jailed for his leftist politics in 1959, under then president Gamal Abdel Nasser.

His five years in prison would form the basis for his debut 1966 novel, "That Smell", which was initially banned.

Ibrahim's renown later saw many of his works translated into English and French.

In 2003, he refused to accept a prestigious literary prize from the Mubarak government charging that it "oppresses our people, protects corruption and allows the Israeli ambassador to remain while Israel kills and rapes".

The last was a reference to alleged Israeli abuses in the occupied territories during the second Palestinian intifada or uprising.

Among Ibrahim's most celebrated works are "The Committee" (1981), a Kafkaesque allegory of bureaucracy and surveillance, and "Stealth" (2007), a semi-autobiographical account of his childhood during World War II.

Generations of Arab writers found inspiration in his minimalist style, heavy with irony and rooted in everyday life.

Y.Mori--JT