The Japan Times - How Spanish cinema hit the big time

EUR -
AED 4.39647
AFN 79.010777
ALL 96.7817
AMD 453.834235
ANG 2.142963
AOA 1097.770504
ARS 1728.714548
AUD 1.697422
AWG 2.154839
AZN 2.03606
BAM 1.959479
BBD 2.410826
BDT 146.2646
BGN 2.010429
BHD 0.451359
BIF 3555.483592
BMD 1.197133
BND 1.514243
BOB 8.270527
BRL 6.218144
BSD 1.196947
BTN 110.127756
BWP 15.609305
BYN 3.381248
BYR 23463.797441
BZD 2.40732
CAD 1.614512
CDF 2702.527156
CHF 0.914657
CLF 0.026043
CLP 1028.337353
CNY 8.318156
CNH 8.313415
COP 4373.125105
CRC 592.211831
CUC 1.197133
CUP 31.724012
CVE 110.884406
CZK 24.328187
DJF 212.75416
DKK 7.467485
DOP 75.419599
DZD 154.65435
EGP 56.059366
ERN 17.956988
ETB 186.200377
FJD 2.621956
FKP 0.868641
GBP 0.866784
GEL 3.226251
GGP 0.868641
GHS 13.114581
GIP 0.868641
GMD 88.00166
GNF 10476.106643
GTQ 9.184243
GYD 250.420144
HKD 9.344996
HNL 31.588305
HRK 7.535923
HTG 156.894557
HUF 380.549872
IDR 20097.400931
ILS 3.704161
IMP 0.868641
INR 109.934056
IQD 1568.04388
IRR 50429.2077
ISK 144.996855
JEP 0.868641
JMD 187.812603
JOD 0.848796
JPY 183.318702
KES 154.514154
KGS 104.688869
KHR 4816.661042
KMF 493.218172
KPW 1077.499653
KRW 1713.586906
KWD 0.366789
KYD 0.997473
KZT 601.288873
LAK 25747.338611
LBP 102474.544325
LKR 370.335275
LRD 221.435728
LSL 18.885656
LTL 3.534821
LVL 0.724134
LYD 7.519117
MAD 10.83945
MDL 20.132798
MGA 5357.167785
MKD 61.629467
MMK 2514.472536
MNT 4270.0428
MOP 9.623167
MRU 47.746641
MUR 54.05048
MVR 18.507873
MWK 2075.496582
MXN 20.615098
MYR 4.704817
MZN 76.329328
NAD 18.885656
NGN 1661.703631
NIO 44.052706
NOK 11.415096
NPR 176.204811
NZD 1.969152
OMR 0.460301
PAB 1.196947
PEN 4.002915
PGK 5.201766
PHP 70.529025
PKR 334.819598
PLN 4.205952
PYG 8032.0796
QAR 4.363392
RON 5.097505
RSD 117.394378
RUB 90.079313
RWF 1746.378689
SAR 4.490097
SBD 9.670049
SCR 16.594223
SDG 720.018515
SEK 10.539112
SGD 1.512703
SHP 0.898159
SLE 29.091786
SLL 25103.269553
SOS 682.882058
SRD 45.495226
STD 24778.226215
STN 24.546083
SVC 10.473663
SYP 13239.776792
SZL 18.879445
THB 37.386326
TJS 11.179589
TMT 4.189964
TND 3.427835
TOP 2.882408
TRY 52.027807
TTD 8.124253
TWD 37.561827
TZS 3070.644609
UAH 51.226874
UGX 4257.99405
USD 1.197133
UYU 45.295038
UZS 14565.345295
VES 429.143458
VND 31125.445585
VUV 143.139968
WST 3.252382
XAF 657.190824
XAG 0.010137
XAU 0.00022
XCD 3.23531
XCG 2.15725
XDR 0.816474
XOF 657.190824
XPF 119.331742
YER 285.394994
ZAR 18.826046
ZMK 10775.631872
ZMW 23.669438
ZWL 385.476184
  • SCS

    0.0200

    16.14

    +0.12%

  • RBGPF

    0.0000

    82.4

    0%

  • RYCEF

    -0.1700

    16.43

    -1.03%

  • VOD

    0.1400

    14.71

    +0.95%

  • CMSC

    0.0100

    23.71

    +0.04%

  • AZN

    -0.6300

    92.59

    -0.68%

  • NGG

    0.3900

    85.07

    +0.46%

  • GSK

    0.5600

    50.66

    +1.11%

  • BTI

    0.0600

    60.22

    +0.1%

  • RELX

    -1.2100

    36.17

    -3.35%

  • RIO

    1.7600

    95.13

    +1.85%

  • BCE

    0.2200

    25.49

    +0.86%

  • JRI

    -0.0500

    12.94

    -0.39%

  • BCC

    -0.5500

    80.3

    -0.68%

  • CMSD

    0.0392

    24.09

    +0.16%

  • BP

    0.3400

    38.04

    +0.89%

How Spanish cinema hit the big time
How Spanish cinema hit the big time

How Spanish cinema hit the big time

With a Golden Bear for Spanish director Carla Simon and four compatriots nominated for Oscars, including superstars Javier Bardem and Penelope Cruz, Spanish cinema has now begun to captivate a global audience.

Text size:

When Bardem and Cruz, who have been married for over a decade, were both tapped for Oscars, the 53-year-old actor could hardly contain his excitement.

"The fact that (Penelope's) nomination was for a role in Spanish... seems really extraordinary, even historic in terms of the Spanish brand," he said in February.

Unlike other countries with a long and distinguished history of cinema, Spain has struggled to establish itself on the international stage.

So far, Luis Bunuel has been the only Spanish director to win the coveted Palme D'Or at Cannes Film Festival for his provocative 1961 feature "Viridiana".

But all that is changing, with Spanish cinema increasingly recognised for its contribution to the silver screen, the most recent being Carla Simon's triumph at this year's Berlinale where she took the top prize for "Alcarras" (2022), a Catalan drama about peach farmers.

And according to Variety magazine, Cruz is rumoured to be in the running for president of the jury at Cannes, an honour already bestowed upon the legendary Pedro Almodovar, by far Spain's best-known filmmaker.

Cruz herself is the only Spanish actress ever to win an Oscar, taking home the gong in 2009 for best supporting actress in the Woody Allen comedy "Vicky Cristina Barcelona".

And if she wins best actress at the Oscars later this month for Almodovar's "Parallel Mothers", it will be a coup for a film entirely "Made in Spain", whose soundtrack has also been nominated for best original score.

- Years of work by film schools -

The score was written by Basque composer Alberto Iglesias, who has worked with Almodovar for two decades on 13 of his films. This is the fourth time an Iglesias soundtrack has been nominated for an Oscar.

For him, there is "strong momentum" within Spanish cinema.

"There is an energy... it has to do with the film schools that have been working for a long time to create new filmmakers," he told AFP.

"It has been really difficult for Spanish cinema to cross the threshold and get into these big international festivals," explains Pilar Martinez-Vasseur, director of the Spanish Film Festival in the French city of Nantes.

Spanish films which have received acclaim abroad are often not identified as such, she said, pointing to the 2001 psychological thriller "The Others" starring Nicole Kidman which was directed by Spain's Alejandro Amenabar.

"In Spain, we still have the idea that Spanish cinema is bad, that it's a nest of communists, that filmmakers are pampered, they do nothing and get subsidies," she said, calling for greater support from the government.

Filmmaking in Spain receives far less state aid than in France, experts say.

Spanish cinema has had to "learn how to break into a globalised ecosystem," said Beatriz Navas who heads the Institute of Cinematography and Audiovisual Arts (ICAA), which is subsidised by the culture ministry.

"This hasn't happened overnight because you need some sort of 'greenhouse' environment where filmmakers can work with freedom," she told AFP.

"And the 'incubation time' needs to be sufficient for these productions to achieve the recognition and prestige they deserve."

- 'Spanish cinema's best moment' -

As well as Cruz, Bardem and Iglesias, Spain also has a fourth horse in the Oscar race in the shape of Alberto Mielgo's "The Windshield Wiper" which has been nominated for best animated short film.

"This is the best moment for Spanish cinema," said Jose Luis Rebordinos, director of the prestigious San Sebastian film festival.

"We are making a lot of cinema and audiovisual productions in Spain, as well as for streaming platforms which is bringing a lot of work so Spanish film technicians are getting better and better," he said.

Spain's Western-friendly landscapes have drawn Hollywood directors since the 1960s and is becoming an increasingly popular destination for filming series -- Netflix, which set up its first European studios in Madrid in 2019, scored huge hits with "Money Heist" and "Elite".

Last year, the government said it wanted Spain to become Europe's "audiovisual hub", pledging to inject 1.6 billion euros to expand the film and TV production sector by 30 percent by 2025.

"International critics are increasingly focusing on our cinematic output thanks to figures like Almodovar, Javier Bardem and Penelope Cruz," said Rebordinos.

"They are finding ways to draw more attention to Spanish cinema."

K.Yamaguchi--JT