The Japan Times - Despite Covid hurdles, US orchestras find the joy in music

EUR -
AED 4.284853
AFN 76.4025
ALL 92.639107
AMD 426.251353
ANG 2.087956
AOA 1070.936207
ARS 1760.725237
AUD 1.632118
AWG 2.094042
AZN 1.984636
BAM 1.956055
BBD 2.349546
BDT 143.258664
BGN 1.978975
BHD 0.439748
BIF 3488.125001
BMD 1.166597
BND 1.482493
BOB 13.421403
BRL 6.014736
BSD 1.166522
BTN 111.636674
BWP 15.631036
BYN 3.495555
BYR 22865.301011
BZD 2.346145
CAD 1.614943
CDF 2656.925726
CHF 0.935731
CLF 0.027053
CLP 1064.717759
CNY 7.84204
CNH 7.843341
COP 3578.664594
CRC 528.555271
CUC 1.166597
CUP 30.91482
CVE 110.564213
CZK 24.106676
DJF 207.327383
DKK 7.477659
DOP 68.053412
DZD 155.207529
EGP 59.164079
ERN 17.498955
ETB 187.241448
FJD 2.585647
FKP 0.854994
GBP 0.855874
GEL 3.03898
GGP 0.854994
GHS 13.036703
GIP 0.854994
GMD 86.32794
GNF 10239.809661
GTQ 8.90216
GYD 244.065522
HKD 9.142311
HNL 31.357787
HRK 7.536915
HTG 152.615959
HUF 362.981405
IDR 20670.932072
ILS 3.501545
IMP 0.854994
INR 111.670572
IQD 1528.242057
IRR 1603575.058148
ISK 141.044668
JEP 0.854994
JMD 184.564046
JOD 0.827153
JPY 185.595098
KES 151.004584
KGS 102.018651
KHR 4715.968136
KMF 493.470452
KPW 1049.937634
KRW 1613.01863
KWD 0.359988
KYD 0.972127
KZT 533.685807
LAK 26190.102498
LBP 104468.760557
LKR 383.719993
LRD 211.912369
LSL 18.71278
LTL 3.444658
LVL 0.705663
LYD 7.378709
MAD 10.796843
MDL 20.158626
MGA 5045.531654
MKD 61.538017
MMK 2449.54877
MNT 4193.060126
MOP 9.415927
MRU 46.781423
MUR 53.984257
MVR 18.035487
MWK 2026.378709
MXN 19.762266
MYR 4.716087
MZN 74.55134
NAD 18.712531
NGN 1571.417242
NIO 42.81776
NOK 10.854486
NPR 178.623272
NZD 1.958337
OMR 0.448537
PAB 1.166522
PEN 3.91218
PGK 5.152276
PHP 71.996545
PKR 323.876516
PLN 4.309001
PYG 7010.913418
QAR 4.25166
RON 5.255476
RSD 117.344523
RUB 97.819595
RWF 1714.897576
SAR 4.386627
SBD 9.355379
SCR 16.303054
SDG 701.704642
SEK 11.079667
SGD 1.481485
SHP 0.864292
SLE 28.756812
SLL 24462.954687
SOS 666.711916
SRD 44.064115
STD 24146.20235
STN 24.906846
SVC 10.20733
SYP 15168.093959
SZL 18.700287
THB 38.159121
TJS 10.779304
TMT 4.094755
TND 3.384881
TOP 2.808886
TRY 56.111312
TTD 7.919828
TWD 37.140831
TZS 3091.479632
UAH 52.181298
UGX 4345.566163
USD 1.166597
UYU 46.756092
UZS 13818.341374
VES 914.241587
VND 30533.926327
VUV 138.269217
WST 3.168368
XAF 656.0256
XAG 0.016918
XAU 0.000251
XCD 3.152786
XCG 2.102474
XDR 0.824845
XOF 659.127378
XPF 119.331742
YER 276.593043
ZAR 18.691797
ZMK 10500.771346
ZMW 22.135315
ZWL 375.643755
  • RBGPF

    1.3300

    69.89

    +1.9%

  • CMSC

    0.1264

    21.228

    +0.6%

  • BCC

    -0.2300

    82.24

    -0.28%

  • NGG

    0.6600

    80.42

    +0.82%

  • RELX

    0.4800

    36.39

    +1.32%

  • JRI

    -0.0100

    12.37

    -0.08%

  • BCE

    0.1400

    23.85

    +0.59%

  • RYCEF

    0.1900

    20.44

    +0.93%

  • CMSD

    0.0800

    21.06

    +0.38%

  • RIO

    -0.5000

    104.8

    -0.48%

  • GSK

    -0.6300

    51.78

    -1.22%

  • BTI

    0.5000

    56.71

    +0.88%

  • VOD

    0.0200

    15.98

    +0.13%

  • BP

    -1.0200

    43.74

    -2.33%

  • AZN

    0.7300

    166.71

    +0.44%

Despite Covid hurdles, US orchestras find the joy in music
Despite Covid hurdles, US orchestras find the joy in music

Despite Covid hurdles, US orchestras find the joy in music

At the start of 2020, the National Symphony Orchestra was planning its first international tour with conductor Gianandrea Noseda, and an epic Beethoven cycle to mark the 250th anniversary of the legendary composer's birth.

Text size:

Instead, the coronavirus pandemic forced the ensemble out of the Kennedy Center in the US capital for 18 months, and the Beethoven symphonic series has been rescheduled, starting this month and wrapping up in... 2023.

The NSO and other professional orchestras in the United States have resumed live performances in recent months while navigating a maelstrom of Covid-19 rules, trying to keep everyone healthy, and convincing wary listeners to buy tickets again.

"It has been a big challenge," Noseda told AFP after an afternoon rehearsal for January's concerts, which include some of the Beethoven symphonies -- but not the Ninth, as the chorus required would put too many unmasked people on stage.

Noseda, who was not able to travel to Washington for a year as the crisis unfolded, detailed the NSO's pandemic evolution from virtual concerts, small groups on stage and plexiglass between musicians to the more or less normal 2021-22 season.

"The alternative would have been no performance at all," the 57-year-old Italian maestro said, explaining that he managed to keep in touch with his players during the long hiatus through Zoom calls and emails.

Now, Noseda says there is a "really perceivable" sense of musicians and audiences appreciating the moment, and not looking too far ahead.

"I fully enjoy that moment," he said. "It's a gift to you."

- Vaccines, testing and adaptability -

So how do you go about making sure that dozens of musicians can be on stage together safely for rehearsals and concerts, especially when some of them -- brass and woodwind players -- cannot be masked?

The plexiglass partitions seen earlier in the pandemic are gone, but all NSO members who can play while masked do so, and protocols are rigid.

"It's a new world for all of us," said NSO executive director Gary Ginstling, explaining that general manager Genevieve Twomey and her team have basically become "an in-house medical team" conducting weekly testing and monitoring.

Twomey said "very few" positive results had been detected so far within the orchestra.

But in Texas, the Dallas Symphony Orchestra was forced to cancel two concerts and cut planned works from two others this month because they could not replace key musicians who had tested positive.

"Omicron has been particularly challenging because it's so contagious and prevalent," DSO president and CEO Kim Noltemy told AFP in a statement.

For Jamie Roberts, the NSO's assistant principal oboe player who clearly performs without a mask, "once there was a vaccine, and people could get a vaccine, I felt really safe."

Colin Williams, the associate principal trombone player at the New York Philharmonic, agreed that protocols in place had been "worth it," ensuring the musicians' safety and that of their loved ones at home.

"I personally feel that when I'm at work, I don't feel like I'm in danger," Williams told AFP.

Roberts, 37, says she is thrilled to be back on stage, but before that became possible, she helped shape the orchestra's virtual programming, dubbed NSO at Home.

Many other US classical ensembles launched similar initiatives to keep attendees engaged.

"We believe that creating programs for home viewing is an integral part of our future and the future of the field," said Jim Roe, the president and executive director of the New York-based Orchestra of St Luke's.

So, will Americans don masks to experience live orchestral music, as they weather the surge in Covid-19 cases?

Officials with the Chicago Symphony Orchestra feared Omicron would dent sales. In the end, 80 percent of tickets for its January concerts were sold.

While some cities such as New York and Washington have implemented vaccine and mask mandates at concert venues with ease, the Dallas symphony ran up against Governor Greg Abbott's executive orders barring such requirements.

Noltemy said the DSO, mindful of an "obligation" to keep attendees safe, is keeping its mask rules in place, despite the risk of being fined for doing so.

The organization is also offering free on-site rapid testing for those without proof of vaccination in hand "to ensure the safest possible environment," Noltemy said.

- Looking ahead -

So, what does the future hold? Can orchestras plan to travel this year, or the year after that? And if not, how will that affect programming?

In Chicago, when a scheduled Asian tour for January was canceled, conductor Riccardo Muti planned a series of concerts in the Windy City, including some that are free to the public.

Back in Washington, while the NSO has planned a full season, Ginstling admitted future travel was uncertain.

"There are a lot more questions than answers right now," he said.

But Roberts, the oboe player, said she is simply reveling in the moment, being reunited with her colleagues.

"We missed each other, it's a family," she said. "It's a really cool job."

S.Suzuki--JT